Meditation for Flute, Harp, and Electronics consists of two melodic exposition lines that were arrived at by an improvisational exploration. The instrumental lines interact with each other in a conversant fashion, slowly building in intensity as the piece progresses. The instruments are gradually encroached upon and overtaken by a wall of electronic sound which obscures and envelopes them. The score is completely graphic in nature and meant only to suggest the broadest outline of melodic shape.

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